A perverse, ironic, grotesque and bloody story about looking for love and discovering one’s own self in a world that divides us more than it unites us.

A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher. Faced with this gifted and unusual pupil, the teacher rediscovers his enthusiasm for his work, but the boy’s intrusion will unleash a series of uncontrollable events.

Cal Zimmerman, a scientist, is questioned about an experiment he carried out two years ago. Back then, Abel, a man who is heavily invested in his career at the service of a scientific research laboratory, suddenly loses his wife and their only daughter. He is going through a dark period of grieving and loneliness when his world is suddenly turned upside down by the arrival of a child who is the looks very much like his daughter. Overwhelmed, he refuses to lose his mind and confronts this presence, learning how to get to know this girl.

NYPD detectives Christopher Danson (Johnson) and P.K. Highsmith (Jackson) are the baddest and most beloved cops in New York City. They don’t get tattoos, other men get tattoos of them. Two desks over and one back, sit detectives Allen Gamble (Ferrell) and Terry Hoitz (Wahlberg). You’ve seen them in the background of photos of Danson and Highsmith, out of focus and eyes closed. They’re not heroes, they’re “the other guys.” But every cop has his or her day and soon Gamble and Hoitz stumble into a seemingly innocuous case no other detective wants to touch that could turn into NYC’s biggest crime. It’s the opportunity of their lives, but do these guys have the right stuff?

Steve Austin is Dan Barnes, a former heavyweight boxer who hangs up his gloves to escape his violent lifestyle. Dans life is quickly turned upside down when the resident boxing champion makes his presence felt by dominating all opponents who stand in his way. In order to put the title holder in his place, Dan prepares an unseasoned newcomer for the biggest challenge of his life.

Comédienne hantée par son rôle de Nathalia Petrovna, l’héroïne de la pièce de Tourguéniev Un Mois à la campagne qu’elle répète difficilement, Marcelline tente de noyer ses angoisses dans une piscine sur un air de Glenn Miller. Mais rien n’y fait. Rien n’empêche le temps de courir et de lui imposer ses quarante ans et toujours pas d’enfant.